5. Fish Fingers and Custard
4. One Thing You Never Put In A Trap…
3. The Fez
2. Basically… Run.
1. Let Someone Else Try First…
Monday 29 November 2010
Q&A: Philip Murphy talks 'The Doctor Who Experience'
What does The Doctor Who Experience offer that past exhibitions didn't?
"There's two answers to that! The first thing is something completely new. We have an immersive, interactive adventure, which lasts for basically about a third of the programmed time. It's estimated at 90 minutes and a third of that time is spent in an adventure. You're basically one of The Doctor's companions for a scripted walk-through adventure, with special effects and monsters. The most crucial thing is that you get to go inside the Tardis and you get to fly it!"
Does the interactive experience feature newly-written scenes with Matt Smith?
"That's exactly right. I obviously don't want to give the whole plot of the adventure away, but the basic premise of it is that thanks to the nefarious plans of the villains, The Doctor has been separated from his Tardis and he needs someone to help him get it back. Given that Amy's not around, the public get the chance to do it instead!"
And there's a full recreation of the Eleventh Doctor's Tardis interior?
"Absolutely, yeah. It's a faithful 100% reproduction of the current Matt Smith Tardis, with the addition of a couple of gadgets which The Doctor has sensibly planned ahead to include, to enable the public to fly it! Obviously there'll be more than one person in the room at a time. There will be batches of 50 people, so we've got some slight additions there that Steven Moffat has scripted in for us. But other than that, it's a 100% reproduction of the Tardis set as it currently stands down in Cardiff."
Was Steven Moffat involved in writing the script for this mini-adventure?
"[He has written] all of The Doctor's parts that were filmed for it, yeah. The actual premise for the adventure came from us and from the exhibitions and attractions company that we're working with. We then got Steven to work with us on making sure that all of the stuff involving The Doctor was spot-on, compared to the TV series."
The walk-through finishes with a 3-D finale. What can you reveal about that?
"There's a bunch of special effects throughout the whole walk-through, involving the Tardis and where you fly it to. It then culminates in a CGI sequence that involves 3-D animation. I should stress that it's the finale, but it's not a big part of it. It's a couple of minutes at the end of the sequence, but it ends things with a really impressive bang!"
What was the original inspiration behind the interactive adventure?
"It was designed because we did conduct some research and asked fans what they wanted from a live Doctor Who experience. The number one response was 'I want to go inside the Tardis'. We then had to find a way to create an engaging, interactive experience that let you achieve that. It was that fan response that led us to create the walk-through, because that created the need for an adventure and we built it up for there. It's genuinely a fan-led production, in that sense."
What can you tell us about the exhibition element of The Doctor Who Experience?
"At the start, I said that there are two reasons why this is different. The first is this immersive experience, the second is that it's by far the biggest Doctor Who exhibition that's ever been done. That's the crucial difference between the exhibition part of this experience and anything that's gone before. The total floor space is about 4000 square metres in Olympia Two, and that's getting on towards the size of a football pitch. It's a big, big space! Within the exhibition, we've got loads of props and memorabilia that have never been seen before. We've got the whole David Tennant era Tardis set - the original set that was blown up in his final episode. It's been rebuilt for us, so you actually get to stand in the real set. We've also got a Peter Davison era Tardis set from back in the '80s. They're both genuine sets, not recreations. We've got lots of genuine props and then obviously some recreations, because things have been destroyed or just aren't safe to make available to the public!"
How far back into the show's history does the exhibition delve?
"We go all the way back to the really early episodes. For example, we've got the original Ice Warrior costume, worn by Bernard Bresslaw in 1967. It's got his name inside it and everything! Obviously it was a bit moth-eaten and we had to do some repair work to it, but it's still the original. We've also got other original costumes, such as the Zygons [from 1975's 'Terror of the Zygons']. There's so much stuff that got put in storage and there was just never any room for it in the smaller end-of-pier style exhibitions that have been run before now."
Is it a balancing act appealing to both younger viewers and the long-term fans?
"Yeah, I think it's fair to say that we have to strike a balance on this kind of thing between people who are fans of the current series, people who watch it on a Saturday as a family but don't really see themselves as huge fans, and people who do really care about what Jon Pertwee wore in 'The Green Death' episode! We need to cater to them and to classic Who through the exhibition part, as well as provide stuff relating to the show since the relaunch in 2005. There is a balancing act, because you've got a lot of dedicated fans who really want to get something out of this, but fundamentally our big Saturday night TV audience is made up of families."
What are the long-term plans for the Doctor Who Experience?
"We have a long-term plan and we will be moving to Cardiff. I'm still working out the details of precisely when we move down there and how long we're there for, so I can't say very much about it. We want it to be down there long-term, so we'll be talking years, rather than months."
Will the exhibition be updated with new props and costumes as the series continues?
"Yes. It will be updated through the run in London and it will be updated again down in Cardiff. We're not expecting to change the actual immersive, interactive portion of the experience, but we will be updating the exhibition. There'll be new content and new monsters introduced on television, so we've got space set aside for that. We've already got hands-on experiences, such as learning to walk like a monster with the help of the TV show's choreographer and Radiophonic Workshop stuff. We'll look to change those around as well, as times goes on."
What are your thoughts on Doctor Who becoming more interactive, with the introduction of live events?
"My view is that these events make a real difference to our ability to interact with the audience, and it allows them to interact with us. Through TV and radio, we broadcast, and through digital mediums, we give people the chance to reach back to us. Through live events, we really let people engage in a very different way with the brand. We recreate real memories. In the case of the Doctor Who Live arena show, a huge number of people came up afterwards and said that their kids had an amazing time. They will remember it forever, in a way that they might not remember a particular episode of the show. I think it's a really exciting way to bring a much-loved brand into people's lives."
Q&A: Philip Murphy talks 'The Doctor Who Experience'
What does The Doctor Who Experience offer that past exhibitions didn't?
"There's two answers to that! The first thing is something completely new. We have an immersive, interactive adventure, which lasts for basically about a third of the programmed time. It's estimated at 90 minutes and a third of that time is spent in an adventure. You're basically one of The Doctor's companions for a scripted walk-through adventure, with special effects and monsters. The most crucial thing is that you get to go inside the Tardis and you get to fly it!"
Does the interactive experience feature newly-written scenes with Matt Smith?
"That's exactly right. I obviously don't want to give the whole plot of the adventure away, but the basic premise of it is that thanks to the nefarious plans of the villains, The Doctor has been separated from his Tardis and he needs someone to help him get it back. Given that Amy's not around, the public get the chance to do it instead!"
And there's a full recreation of the Eleventh Doctor's Tardis interior?
"Absolutely, yeah. It's a faithful 100% reproduction of the current Matt Smith Tardis, with the addition of a couple of gadgets which The Doctor has sensibly planned ahead to include, to enable the public to fly it! Obviously there'll be more than one person in the room at a time. There will be batches of 50 people, so we've got some slight additions there that Steven Moffat has scripted in for us. But other than that, it's a 100% reproduction of the Tardis set as it currently stands down in Cardiff."
Was Steven Moffat involved in writing the script for this mini-adventure?
"[He has written] all of The Doctor's parts that were filmed for it, yeah. The actual premise for the adventure came from us and from the exhibitions and attractions company that we're working with. We then got Steven to work with us on making sure that all of the stuff involving The Doctor was spot-on, compared to the TV series."
The walk-through finishes with a 3-D finale. What can you reveal about that?
"There's a bunch of special effects throughout the whole walk-through, involving the Tardis and where you fly it to. It then culminates in a CGI sequence that involves 3-D animation. I should stress that it's the finale, but it's not a big part of it. It's a couple of minutes at the end of the sequence, but it ends things with a really impressive bang!"
What was the original inspiration behind the interactive adventure?
"It was designed because we did conduct some research and asked fans what they wanted from a live Doctor Who experience. The number one response was 'I want to go inside the Tardis'. We then had to find a way to create an engaging, interactive experience that let you achieve that. It was that fan response that led us to create the walk-through, because that created the need for an adventure and we built it up for there. It's genuinely a fan-led production, in that sense."
What can you tell us about the exhibition element of The Doctor Who Experience?
"At the start, I said that there are two reasons why this is different. The first is this immersive experience, the second is that it's by far the biggest Doctor Who exhibition that's ever been done. That's the crucial difference between the exhibition part of this experience and anything that's gone before. The total floor space is about 4000 square metres in Olympia Two, and that's getting on towards the size of a football pitch. It's a big, big space! Within the exhibition, we've got loads of props and memorabilia that have never been seen before. We've got the whole David Tennant era Tardis set - the original set that was blown up in his final episode. It's been rebuilt for us, so you actually get to stand in the real set. We've also got a Peter Davison era Tardis set from back in the '80s. They're both genuine sets, not recreations. We've got lots of genuine props and then obviously some recreations, because things have been destroyed or just aren't safe to make available to the public!"
How far back into the show's history does the exhibition delve?
"We go all the way back to the really early episodes. For example, we've got the original Ice Warrior costume, worn by Bernard Bresslaw in 1967. It's got his name inside it and everything! Obviously it was a bit moth-eaten and we had to do some repair work to it, but it's still the original. We've also got other original costumes, such as the Zygons [from 1975's 'Terror of the Zygons']. There's so much stuff that got put in storage and there was just never any room for it in the smaller end-of-pier style exhibitions that have been run before now."
Is it a balancing act appealing to both younger viewers and the long-term fans?
"Yeah, I think it's fair to say that we have to strike a balance on this kind of thing between people who are fans of the current series, people who watch it on a Saturday as a family but don't really see themselves as huge fans, and people who do really care about what Jon Pertwee wore in 'The Green Death' episode! We need to cater to them and to classic Who through the exhibition part, as well as provide stuff relating to the show since the relaunch in 2005. There is a balancing act, because you've got a lot of dedicated fans who really want to get something out of this, but fundamentally our big Saturday night TV audience is made up of families."
What are the long-term plans for the Doctor Who Experience?
"We have a long-term plan and we will be moving to Cardiff. I'm still working out the details of precisely when we move down there and how long we're there for, so I can't say very much about it. We want it to be down there long-term, so we'll be talking years, rather than months."
Will the exhibition be updated with new props and costumes as the series continues?
"Yes. It will be updated through the run in London and it will be updated again down in Cardiff. We're not expecting to change the actual immersive, interactive portion of the experience, but we will be updating the exhibition. There'll be new content and new monsters introduced on television, so we've got space set aside for that. We've already got hands-on experiences, such as learning to walk like a monster with the help of the TV show's choreographer and Radiophonic Workshop stuff. We'll look to change those around as well, as times goes on."
What are your thoughts on Doctor Who becoming more interactive, with the introduction of live events?
"My view is that these events make a real difference to our ability to interact with the audience, and it allows them to interact with us. Through TV and radio, we broadcast, and through digital mediums, we give people the chance to reach back to us. Through live events, we really let people engage in a very different way with the brand. We recreate real memories. In the case of the Doctor Who Live arena show, a huge number of people came up afterwards and said that their kids had an amazing time. They will remember it forever, in a way that they might not remember a particular episode of the show. I think it's a really exciting way to bring a much-loved brand into people's lives."
Q&A: Philip Murphy talks 'The Doctor Who Experience'
What does The Doctor Who Experience offer that past exhibitions didn't?
"There's two answers to that! The first thing is something completely new. We have an immersive, interactive adventure, which lasts for basically about a third of the programmed time. It's estimated at 90 minutes and a third of that time is spent in an adventure. You're basically one of The Doctor's companions for a scripted walk-through adventure, with special effects and monsters. The most crucial thing is that you get to go inside the Tardis and you get to fly it!"
Does the interactive experience feature newly-written scenes with Matt Smith?
"That's exactly right. I obviously don't want to give the whole plot of the adventure away, but the basic premise of it is that thanks to the nefarious plans of the villains, The Doctor has been separated from his Tardis and he needs someone to help him get it back. Given that Amy's not around, the public get the chance to do it instead!"
And there's a full recreation of the Eleventh Doctor's Tardis interior?
"Absolutely, yeah. It's a faithful 100% reproduction of the current Matt Smith Tardis, with the addition of a couple of gadgets which The Doctor has sensibly planned ahead to include, to enable the public to fly it! Obviously there'll be more than one person in the room at a time. There will be batches of 50 people, so we've got some slight additions there that Steven Moffat has scripted in for us. But other than that, it's a 100% reproduction of the Tardis set as it currently stands down in Cardiff."
Was Steven Moffat involved in writing the script for this mini-adventure?
"[He has written] all of The Doctor's parts that were filmed for it, yeah. The actual premise for the adventure came from us and from the exhibitions and attractions company that we're working with. We then got Steven to work with us on making sure that all of the stuff involving The Doctor was spot-on, compared to the TV series."
The walk-through finishes with a 3-D finale. What can you reveal about that?
"There's a bunch of special effects throughout the whole walk-through, involving the Tardis and where you fly it to. It then culminates in a CGI sequence that involves 3-D animation. I should stress that it's the finale, but it's not a big part of it. It's a couple of minutes at the end of the sequence, but it ends things with a really impressive bang!"
What was the original inspiration behind the interactive adventure?
"It was designed because we did conduct some research and asked fans what they wanted from a live Doctor Who experience. The number one response was 'I want to go inside the Tardis'. We then had to find a way to create an engaging, interactive experience that let you achieve that. It was that fan response that led us to create the walk-through, because that created the need for an adventure and we built it up for there. It's genuinely a fan-led production, in that sense."
What can you tell us about the exhibition element of The Doctor Who Experience?
"At the start, I said that there are two reasons why this is different. The first is this immersive experience, the second is that it's by far the biggest Doctor Who exhibition that's ever been done. That's the crucial difference between the exhibition part of this experience and anything that's gone before. The total floor space is about 4000 square metres in Olympia Two, and that's getting on towards the size of a football pitch. It's a big, big space! Within the exhibition, we've got loads of props and memorabilia that have never been seen before. We've got the whole David Tennant era Tardis set - the original set that was blown up in his final episode. It's been rebuilt for us, so you actually get to stand in the real set. We've also got a Peter Davison era Tardis set from back in the '80s. They're both genuine sets, not recreations. We've got lots of genuine props and then obviously some recreations, because things have been destroyed or just aren't safe to make available to the public!"
How far back into the show's history does the exhibition delve?
"We go all the way back to the really early episodes. For example, we've got the original Ice Warrior costume, worn by Bernard Bresslaw in 1967. It's got his name inside it and everything! Obviously it was a bit moth-eaten and we had to do some repair work to it, but it's still the original. We've also got other original costumes, such as the Zygons [from 1975's 'Terror of the Zygons']. There's so much stuff that got put in storage and there was just never any room for it in the smaller end-of-pier style exhibitions that have been run before now."
Is it a balancing act appealing to both younger viewers and the long-term fans?
"Yeah, I think it's fair to say that we have to strike a balance on this kind of thing between people who are fans of the current series, people who watch it on a Saturday as a family but don't really see themselves as huge fans, and people who do really care about what Jon Pertwee wore in 'The Green Death' episode! We need to cater to them and to classic Who through the exhibition part, as well as provide stuff relating to the show since the relaunch in 2005. There is a balancing act, because you've got a lot of dedicated fans who really want to get something out of this, but fundamentally our big Saturday night TV audience is made up of families."
What are the long-term plans for the Doctor Who Experience?
"We have a long-term plan and we will be moving to Cardiff. I'm still working out the details of precisely when we move down there and how long we're there for, so I can't say very much about it. We want it to be down there long-term, so we'll be talking years, rather than months."
Will the exhibition be updated with new props and costumes as the series continues?
"Yes. It will be updated through the run in London and it will be updated again down in Cardiff. We're not expecting to change the actual immersive, interactive portion of the experience, but we will be updating the exhibition. There'll be new content and new monsters introduced on television, so we've got space set aside for that. We've already got hands-on experiences, such as learning to walk like a monster with the help of the TV show's choreographer and Radiophonic Workshop stuff. We'll look to change those around as well, as times goes on."
What are your thoughts on Doctor Who becoming more interactive, with the introduction of live events?
"My view is that these events make a real difference to our ability to interact with the audience, and it allows them to interact with us. Through TV and radio, we broadcast, and through digital mediums, we give people the chance to reach back to us. Through live events, we really let people engage in a very different way with the brand. We recreate real memories. In the case of the Doctor Who Live arena show, a huge number of people came up afterwards and said that their kids had an amazing time. They will remember it forever, in a way that they might not remember a particular episode of the show. I think it's a really exciting way to bring a much-loved brand into people's lives."
Q&A: Philip Murphy talks 'The Doctor Who Experience'
What does The Doctor Who Experience offer that past exhibitions didn't?
"There's two answers to that! The first thing is something completely new. We have an immersive, interactive adventure, which lasts for basically about a third of the programmed time. It's estimated at 90 minutes and a third of that time is spent in an adventure. You're basically one of The Doctor's companions for a scripted walk-through adventure, with special effects and monsters. The most crucial thing is that you get to go inside the Tardis and you get to fly it!"
Does the interactive experience feature newly-written scenes with Matt Smith?
"That's exactly right. I obviously don't want to give the whole plot of the adventure away, but the basic premise of it is that thanks to the nefarious plans of the villains, The Doctor has been separated from his Tardis and he needs someone to help him get it back. Given that Amy's not around, the public get the chance to do it instead!"
And there's a full recreation of the Eleventh Doctor's Tardis interior?
"Absolutely, yeah. It's a faithful 100% reproduction of the current Matt Smith Tardis, with the addition of a couple of gadgets which The Doctor has sensibly planned ahead to include, to enable the public to fly it! Obviously there'll be more than one person in the room at a time. There will be batches of 50 people, so we've got some slight additions there that Steven Moffat has scripted in for us. But other than that, it's a 100% reproduction of the Tardis set as it currently stands down in Cardiff."
Was Steven Moffat involved in writing the script for this mini-adventure?
"[He has written] all of The Doctor's parts that were filmed for it, yeah. The actual premise for the adventure came from us and from the exhibitions and attractions company that we're working with. We then got Steven to work with us on making sure that all of the stuff involving The Doctor was spot-on, compared to the TV series."
The walk-through finishes with a 3-D finale. What can you reveal about that?
"There's a bunch of special effects throughout the whole walk-through, involving the Tardis and where you fly it to. It then culminates in a CGI sequence that involves 3-D animation. I should stress that it's the finale, but it's not a big part of it. It's a couple of minutes at the end of the sequence, but it ends things with a really impressive bang!"
What was the original inspiration behind the interactive adventure?
"It was designed because we did conduct some research and asked fans what they wanted from a live Doctor Who experience. The number one response was 'I want to go inside the Tardis'. We then had to find a way to create an engaging, interactive experience that let you achieve that. It was that fan response that led us to create the walk-through, because that created the need for an adventure and we built it up for there. It's genuinely a fan-led production, in that sense."
What can you tell us about the exhibition element of The Doctor Who Experience?
"At the start, I said that there are two reasons why this is different. The first is this immersive experience, the second is that it's by far the biggest Doctor Who exhibition that's ever been done. That's the crucial difference between the exhibition part of this experience and anything that's gone before. The total floor space is about 4000 square metres in Olympia Two, and that's getting on towards the size of a football pitch. It's a big, big space! Within the exhibition, we've got loads of props and memorabilia that have never been seen before. We've got the whole David Tennant era Tardis set - the original set that was blown up in his final episode. It's been rebuilt for us, so you actually get to stand in the real set. We've also got a Peter Davison era Tardis set from back in the '80s. They're both genuine sets, not recreations. We've got lots of genuine props and then obviously some recreations, because things have been destroyed or just aren't safe to make available to the public!"
How far back into the show's history does the exhibition delve?
"We go all the way back to the really early episodes. For example, we've got the original Ice Warrior costume, worn by Bernard Bresslaw in 1967. It's got his name inside it and everything! Obviously it was a bit moth-eaten and we had to do some repair work to it, but it's still the original. We've also got other original costumes, such as the Zygons [from 1975's 'Terror of the Zygons']. There's so much stuff that got put in storage and there was just never any room for it in the smaller end-of-pier style exhibitions that have been run before now."
Is it a balancing act appealing to both younger viewers and the long-term fans?
"Yeah, I think it's fair to say that we have to strike a balance on this kind of thing between people who are fans of the current series, people who watch it on a Saturday as a family but don't really see themselves as huge fans, and people who do really care about what Jon Pertwee wore in 'The Green Death' episode! We need to cater to them and to classic Who through the exhibition part, as well as provide stuff relating to the show since the relaunch in 2005. There is a balancing act, because you've got a lot of dedicated fans who really want to get something out of this, but fundamentally our big Saturday night TV audience is made up of families."
What are the long-term plans for the Doctor Who Experience?
"We have a long-term plan and we will be moving to Cardiff. I'm still working out the details of precisely when we move down there and how long we're there for, so I can't say very much about it. We want it to be down there long-term, so we'll be talking years, rather than months."
Will the exhibition be updated with new props and costumes as the series continues?
"Yes. It will be updated through the run in London and it will be updated again down in Cardiff. We're not expecting to change the actual immersive, interactive portion of the experience, but we will be updating the exhibition. There'll be new content and new monsters introduced on television, so we've got space set aside for that. We've already got hands-on experiences, such as learning to walk like a monster with the help of the TV show's choreographer and Radiophonic Workshop stuff. We'll look to change those around as well, as times goes on."
What are your thoughts on Doctor Who becoming more interactive, with the introduction of live events?
"My view is that these events make a real difference to our ability to interact with the audience, and it allows them to interact with us. Through TV and radio, we broadcast, and through digital mediums, we give people the chance to reach back to us. Through live events, we really let people engage in a very different way with the brand. We recreate real memories. In the case of the Doctor Who Live arena show, a huge number of people came up afterwards and said that their kids had an amazing time. They will remember it forever, in a way that they might not remember a particular episode of the show. I think it's a really exciting way to bring a much-loved brand into people's lives."
Torchwood: The New Earth - filming in America from January
Torchwood: The New World is due to commence filming in the United States from the 11th January 2011.
The date was reported in an interview with Eve Myles (Gwen) in the Wales on Sunday. As well as the filming in America, the star will return to Wales for filming in Gower for a couple of weeks at the end of January
We are going to be living in the Hollywood Hills, literally underneath the Hollywood sign. It looks like something out of Austin Powers. It’s a step back in time to Hollywood in the 1960s. It’s really, really retro. It’s had one owner and it’s been kept exactly as it was. I’m much more of a traditional Laura Ashley girl but if we are going to be there for seven months, we have to go for old-fashioned Hollywood and enjoy the full experience!
Torchwood: The New Earth - filming in America from January
Torchwood: The New World is due to commence filming in the United States from the 11th January 2011.
The date was reported in an interview with Eve Myles (Gwen) in the Wales on Sunday. As well as the filming in America, the star will return to Wales for filming in Gower for a couple of weeks at the end of January
We are going to be living in the Hollywood Hills, literally underneath the Hollywood sign. It looks like something out of Austin Powers. It’s a step back in time to Hollywood in the 1960s. It’s really, really retro. It’s had one owner and it’s been kept exactly as it was. I’m much more of a traditional Laura Ashley girl but if we are going to be there for seven months, we have to go for old-fashioned Hollywood and enjoy the full experience!
Eve Myles: From Torchwood to Hollywood
She's staunchly proud of her Welsh roots but Eve Myles is about to become an all-American girl – by moving into an Austin Powers-style house in the Hollywood Hills.The Torchwood actress this week signed a contract on the three-bedroom retro home, with the essential swimming pool, where she will live for the next seven months.
And her new pad is within spitting distance of the famous Hollywood sign.
“We nailed the house this morning,” revealed the mum-of- one, who is heading to the States to record the US version of the hit BBC Wales sci-fi series.
“We are going to be living in the Hollywood Hills, literally underneath the Hollywood sign. It looks like something out of Austin Powers,” she says referring to the film franchise starring Mike Myers as a ’60s secret agent.
“It’s a step back in time to Hollywood in the 1960s. It’s really, really retro. It’s had one owner and it’s been kept exactly as it was.”
She says it’s a far cry from the traditional Cardiff home she currently shares with her partner, actor Bradley Freegard, their one-year-old daughter Matilda and pet dog, Honeysuckle.
“I’m much more of a traditional Laura Ashley girl but if we are going to be there for seven months, we have to go for old-fashioned Hollywood and enjoy the full experience,” she said.
Read More Here
Eve Myles: From Torchwood to Hollywood
She's staunchly proud of her Welsh roots but Eve Myles is about to become an all-American girl – by moving into an Austin Powers-style house in the Hollywood Hills.The Torchwood actress this week signed a contract on the three-bedroom retro home, with the essential swimming pool, where she will live for the next seven months.
And her new pad is within spitting distance of the famous Hollywood sign.
“We nailed the house this morning,” revealed the mum-of- one, who is heading to the States to record the US version of the hit BBC Wales sci-fi series.
“We are going to be living in the Hollywood Hills, literally underneath the Hollywood sign. It looks like something out of Austin Powers,” she says referring to the film franchise starring Mike Myers as a ’60s secret agent.
“It’s a step back in time to Hollywood in the 1960s. It’s really, really retro. It’s had one owner and it’s been kept exactly as it was.”
She says it’s a far cry from the traditional Cardiff home she currently shares with her partner, actor Bradley Freegard, their one-year-old daughter Matilda and pet dog, Honeysuckle.
“I’m much more of a traditional Laura Ashley girl but if we are going to be there for seven months, we have to go for old-fashioned Hollywood and enjoy the full experience,” she said.
Read More Here
Staggering Stories Podcast #93: Lost in the Aether
Summary:
Adam J Purcell, Fake Keith, Jean Riddler and the Real Keith Dunn talk about the Sarah Jane Adventures: Lost in Time and Michael Moorcock’s Doctor Who: The Coming of the Terraphiles novel, find some general news, and a variety of other stuff, specifically:
» 00:00 – Intro and theme tune.
» 00:37 — Welcome!
» 02:24 – News:
» 02:35 — Doctor Who: 2010 Christmas Special named.
» 05:33 — Doctor Who: Time Crash voted 9th greatest moment of Children in Need.
» 06:48 — Doctor Who: Matthew Graham has written a S6 two parter.
» 09:11 — Karen Gillan: Takes lead role in time travelling film – Romeo and Britney.
» 11:58 — Hulk: A new TV series in the works?
» 14:45 — Doctor Who: Nintendo DS and Wii games are out.
More Here
Dr who tenth doctor quotes Forest of the Dead
Mr Lux: Oh, for heaven's sake! Look at the pair of you, we're all going to die here and you're just squabbling like an old married couple!Vashta Nerada: These are our forests, they are our meat.
The Doctor: Don't play games with me.You just killed someone I liked and that is not a safe place to stand! I'm the Doctor and you're in the biggest Library in the universe. Look me up.
Vashta Nerada:You have one day.
The Doctor: Why am I handcuffed... why would you even have handcuffs?
Prof. River Song: Spoilers.
[The computer is counting down to a self-destruct and River is hooking herself up to the datafeed]
River Song: Funny thing is, this means you've always known how I was going to die. All the time we've been together, you knew I was coming here. The last time I saw you, the real you, the future you, I mean, you turned up on my doorstep, with a new haircut and a suit. You took me to Darillium to see the singing towers. Oh, what a night that was! The towers sang, and you cried. You wouldn't tell me why, but I suppose you knew it was time. My time. Time to come to the Library. You even gave me your screwdriver; that should've been a clue.
River: There's nothing you can do.
The Doctor: You can let me do this!
River: If you die here, it'll mean I've never met you!
The Doctor: Time can be rewritten!
River: Not those times. Not one line! Don't you dare! It's OK. It's OK, it's not over for you. You'll see me again. You've got all of that to come. You and me, time and space. You watch us run!
The Doctor: River, you know my name! You whispered my name in my ear! There's only one reason I would ever tell anyone my name. There's only one time I could...
River: Hush, now! Spoilers...
River's narration:When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever, for one moment, accepts it.
The Doctor: Why? Why would I give her my screwdriver? Why would I do that? The thing is, future me had years to think about it. All those years to think of a way to save her, and what he did was give her a screwdriver! Why would I do that!? Oh, oh, oh! Look at that! I'm very good!
Donna: What have you done?
The Doctor: Saved her!
The Doctor: Stay with me! You can do it! Stay with me! Come on!! You and me, one last time! Sorry River, short cut!
River's narration: Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, Every once in a very long while, every day in a million days, when the wind stands fair and the Doctor comes to call, everybody lives.
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